LYRICAL CYCLES IN THE KARAKALPAK POETRY
DOI:
https://doi.org/10.17605/Keywords:
Cycle, sonnet, garland of sonnets, the lock of sonnets, composition, emotional opinion, didactics, poetics, lyric character, literal componentAbstract
Lyrical sets have been remained as a special lyrical form in the literature of world nations. Giving theoretical definition about poetical feature of such kind of lyrical form which fulfills one lyrical function combining several lyrical poems together, classifying them, defining the role of them in Karakalpak literature and showing the way of evolutional development is one of the most important issues of science of literature.
The cycle is combining several works in accordance with one principle. Therefore, any given literary work cannot be considered as a cycle. The cycle has its own principles and theoretical bases. They are the problems which interest literary critics. There are some special research works on cycles, especially on lyrical cycles. For example, V.N. Darvin pays a special attention to the typology of cycles. In the Russian literature the cycle became a leading literary form back in 19th century. In the scholar’s opinion, the lyrical cycle is the highest form among the genres of this literary style. [1:4].
References
1.Darvin M.N. Cyclization in Lyrics. (Historical Ways and Artistic Forms), Abstract of the dissertation for the degree of Doctor of Philological Science. Kemerovo, 1995.
2.Reymov K. Appaq tirnalar, Nókis, Qaraqalpaqstan, 1990.
3.Orazimbetova M. Qaraqalpaq poeziyasında lirikalıq dúrkinlerdiń poetikası. Toshkent. Lesson press. 2022
4.Yusupov I. Keuildegi Keng dunya ( The Wide World of My Soul). Nukus, Karakalpakstan, 1989.
5.The Typology of Genres and the Variety of Styles in Uzbek Literature. T. Fan. 1983
6.Yusupov I. Alasatly Dunya Bul (Troubled World). Nukus, Karakalpakstan, 1987.





