LINGUISTIC STRATEGIES FOR IRONY REPRESENTATION IN THE IDIOSTYLE OF A. P.CHEKHOV WITHIN STRUCTURAL PRAGMATIC AND COGNITIVE FRAMEWORKS
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Abstract
Rooted in a polycentric fusion of structural-pragmatic theorems and cognitively oriented interpretative models, the present examination elucidates Chekhov’s multilayered ironic phenomena, systematically employing antonymic collocations, strategic ellipses, and covert parodic intonations to dismantle entrenched socio-cultural constructs. Relying upon methodical corpus annotation, rhetorical microanalysis, and electrophysiological indices of interpretative intricacy, the inquiry reveals how discursive disruptions within Chekhov’s narrative scapes engender profound recontextualizations, ultimately disclosing a labyrinthine interplay of humor, parody, and subversive critique that challenges canonical literary classifications.
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