SYMBOLIC IMAGERY OF HOMELAND IN THE POETRY OF ROBERT BURNS AND MUHAMMAD YUSUF

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Published: Nov 18, 2024
Keywords:
Symbolic imagery, Robert Burns, Muhammad Yusuf, homeland, Scottish poetry, Uzbek poetry, national identity, cultural symbolism, comparative literature.

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Karimova Shakhnozakhon Karimovna
Doctor of Philosophy in Philological Sciences (PhD), Bukhara State Pedagogical Institute
Daminova Fotima Nurmamat qizi
A Graduate Student of Bukhara State Pedagogical Institute

Abstract

This article examines the theme of symbolic imagery of homeland in the poetry of Robert Burns and Muhammad Yusuf. The purpose of the article is to analyze the symbolic techniques each poet uses to express their love and pride for their homeland. Through a study of several poems by Burns such as “My Heart’s in the Highlands”, “Scots wha hae” and Muhammad Yusuf’s “My farmer ancestor”, “Confession”. This research identifies both shared and distinct approaches to expressing national identity. The results indicate that Burns’s symbolic imagery reflects the resilience of Scotland and a deep connection to the Highlands, while Muhammad Yusuf’s poetry conveys a harmonious bond with the nature of Uzbekistan. This study reveals common values through symbolic expressions of love for homeland.

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How to Cite
Karimova Shakhnozakhon Karimovna, & Daminova Fotima Nurmamat qizi. (2024). SYMBOLIC IMAGERY OF HOMELAND IN THE POETRY OF ROBERT BURNS AND MUHAMMAD YUSUF. Galaxy International Interdisciplinary Research Journal, 12(11), 126–130. Retrieved from https://internationaljournals.co.in/index.php/giirj/article/view/6004
Issue
Vol. 12 No. 11 (2024): GIIRJ
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Articles
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This work is licensed under a Creative Commons Attribution 4.0 International License.

References

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