AVET TERTERYAN - THE PATH FROM MEDIEVAL MONODY TO SONORICS ON THE EXAMPLE OF THE FIRST SYMPHONY

Authors

  • Akopyan Anait 1st Year Master's Student Department of Composition And Instrumentation State Conservatories of Uzbekistan Tashkent, Uzbekistan.

Keywords:

Sharakan, atonal music, sonorics

Abstract

In this article, the author highlights some of the stylistic features of the work of one of the brightest symphonists of the second half of the 20th century, A. Terteryan. The issues of the use of folk melody and its direct connection with the traditional Armenian genre "Sharakan" in the composer's symphonic work are touched upon.

References

Тертерян Р. Беседы с Аветом Тертеряном — Москва 2015

В. Холопова "Формы музыкальных произведений" 3ч.

Е.Вайнберг "Композиторские техники XX - XXI века" лекция

https://dic.academic.ru

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Published

2022-02-17

Issue

Vol. 10 No. 2 (2022): GIIRJ

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.