ELEMENTS OF INTERTEXTUALITY IN THOMAS KING’S “GREEN GRASS, RUNNING WATER”

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Xajiyeva Feruza Melsovna
Hamroyeva Soliha Bobir qizi

Abstract

Thomas King's novel "Green Grass, Running Water" stands as a masterful exploration of intertextuality, seamlessly weaving together a rich tapestry of cultural, literary, and historical references. Drawing from Native American mythology, biblical narratives, classic literature, and popular culture, King crafts a narrative that challenges, subverts, and expands upon traditional storytelling conventions. The novel's characters engage in dialogues with iconic figures, reinterpreting historical events and embodying a metafictional awareness that adds layers of complexity to the novel. Through intertextuality, King critiques cultural stereotypes, addresses the impact of colonialism on Indigenous communities, and invites readers to navigate the intricate intersections of Indigenous and Western cultures. This article provides a glimpse into the diverse intertextual elements within the novel, highlighting how King's narrative serves as a profound commentary on storytelling, identity, and the ongoing dynamics between different cultural traditions.

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How to Cite
Xajiyeva Feruza Melsovna, & Hamroyeva Soliha Bobir qizi. (2023). ELEMENTS OF INTERTEXTUALITY IN THOMAS KING’S “GREEN GRASS, RUNNING WATER”. Galaxy International Interdisciplinary Research Journal, 11(12), 1491–1495. Retrieved from https://internationaljournals.co.in/index.php/giirj/article/view/5051
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Articles

References

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King, Thomas. “One About Coyote Going West.” An Anthology of Canadian Native Literature in English. Eds. Daniel David Moses and Terry Goldie. Ontario: Oxford University Press, 1998. 203-210.

Cox, James H. “All This Water Imagery Must Mean Something: Thomas King’s Revisions of Narratives of Domination and Conquest in Green Grass, Running Water.” American Indian Quarterly. Berkeley: Spring 2000. 24. 2. (219-247).

Sproul, Barbara. “Introduction.” Primal Myths. New York: Harper Collins, 1979. 1-29

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